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The Lightnings Slayers

Galit Eilat

Marjolijn Dijkman’s ‘Earthing Discharge’ at the Contemporary Arts Center

Steve Kemple

Decoding the Colonizer’s Mind

Galit Eilat

Het ontcijferen van de geest van de kolonisator (NL)

Galit Eilat

On-Trade-Off Countering Extractivism by Transnational Artist’s Collaborations

Lotte Arndt and Oulimata Gueye

Reclaiming Vision and Building Microbial Affinities

Ki Nurmenniemi

Becoming Aquatic Eyewitness — On the Collaborative Practice of Marjolijn Dijkman and Toril Johannessen

Niekolaas Johannes Lekkerkerk

The Layered Generosity of Marjolijn Dijkman

Karen Verschooren

Beyond Polar Thinking

Amelia Wallin

Reclaiming Vision: A Neo-Neo-Zoological Drama

Jon Bywater

From Outside the Eclipse

Raqs Media Collective

Decommissioned Truths — Marjolijn Dijkman’s Cultivating Probability

Vlad Ionescu

Earth and Blue Sky

Jonathan Watkins

On the Enclosure of Time

Jes Fernie for P.E.A.R. (Paper for Emerging Architectural Research), Issue No 6, Landscape/Ecology 2014

Private Moments

Morgan Quaintance, Art Monthly No. 354 | March 2012

Marjolijn Dijkman – Profile

Colin Perry

The Age of the World-Picture is a Fine Thirty-Two (at the Time of Writing)

Dieter Roelstraete

… alive like stars in the heavens … Or: An Oak is an Oak.

Koen Kleijn

Theatrum Orbis Terrarum

Elizabeth Thomas

Wandering through the Future

Sabine Hillen

Tussen Kunst en Medium, Over het gebruik van theatraliteit bij Antonin Artaud en Marjolijn Dijkman (NL)

Lieke van Bree

Basis… is een proces (NL)

Liesbeth Bik (Bik Van der Pol)