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Group exhibition

Six Samples of Catastrophe

14.12.2024–02.02.2025: Art Pavilion Zagreb & Out of Sight – Displacement, Zagreb, HR

Six Samples of Catastrophe examines the representational, aesthetic, and tactile qualities of materials as visible imprints of invisible or less visible human interventions into the life of matter and nature. They manifest in a range from political hegemonies to ecological disasters, and speak of extractivist policies and (neo)colonialism.

Artists: Hannes Boeck, Marjolijn Dijkman, Jassem Hindi & Sina Seifee, Davor Konjikusic, Ana Torfs

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Group exhibition

Liquid Properties

01.12.2024–01.03.2025: LINK, Zwolle, NL

The sculptural installation ‘Liquid Properties’ will be part of ‘Expo #5: 1-4′ at LINK, a group exhibition with Krystel Geerts, Nikki Vroom, Marjolijn Dijkman & Toril Johannessen, and Rutger de Vries.

‘Liquid Properties’ consists of hand-blown glass objects in a variety of shapes, reminiscing of lab equipment, glassware, buoys, ecospheres, and water lenses. Each of the spheres has one or more lenses integrated into the glass body, slightly magnifying the organisms, particles, and pollutants inside. Studied up close, each glass sphere is an isolated ecosystem. As a total installation, they might remind of models within a taxonomic structure or even globes within a planetary system.

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Group exhibition

Navigating Polarities at Full House Collection

01.06–05.01.2025: Mu.ZEE, Ostend, BE

For the first time since the Flemish Government acquired ‘Navigating Polarities’, it will be on display at Mu.ZEE as part of the new collection presentation.

“Navigating Polarities, an immersive film installation, investigates the history of navigation and the natural forces of polarity and magnetism in the physical world. The work takes the Earth’s geomagnetic field as a starting point, considering how micro- and macrocosmic elements are contingent on these properties to operate”.

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Group exhibition

Critical Shifts

03.10–28.11.2024: Barin Han Centre, Istanbul, TR

Everything shifts. Everything is being shifted. Alongside larger geosocial and geopolitical translocations of peoples and matter come daily shifts that remain unnoticed, yet often become agents of critical transformation, openness and new beginnings. By exploring these smaller movements of matter, form and meaning, Critical Shifts offers two techniques of following subtle alternations, impalpable variations, and illusive temporalities of constant change – extraction and  bias.

The exhibition showcases works of contemporary artists who embrace shifts – whether through material, metaphorical or invisible form– as a method of their diverse practices and consider extraction and bias as internal to any knowledge production. We navigate if by shifts.

Curated by Margarita Osepyan, Maria Korolkova and Kate Umnova.

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Solo exhibition

Monument Algae

25.08–17.11.2024: Die Raum, Berlin, DE

Monument Algae is a work in progress by Marjolijn Dijkman & Toril Johannessen on the role of algae in the biodeterioration of monuments. It aims to develop a living sculpture hosting an assembly of algae collected from historical monuments.

Algae biofilm can function as a bioprotector or deteriorator on stone surfaces. Which algae grow on what monuments, and are they protecting them or slowly taking them down?

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Event

De Waker (Waker, Slaper, Dromer)

13.10.2024: Dubbele Dijk, Bierum, NL

‘Waker, Slaper, Dromer’ (Watcher, Sleeper, Dreamer) is a series of three walks named after the poetic names and functions of dike systems in the Netherlands. These walks are organized by visual artist Marjolijn Dijkman as part of her WaterLANDS artist residency (2023-2026), which focuses on ecological restoration and depoldering in the context of the Ems-Dollard estuary in the North of the Netherlands.

During the first joint walk, ‘De Waker’ (The Watcher), together with artist Marjolijn Dijkman, botanical archeologist Mans Schepers and landscape philosopher Eric Brinckmann, we look at elements in the newly shaped Twin Dyke landscape and the broader context of the estuary and interpret it from the perspective of the watcher in a broad sense.

How does this newly formed landscape affect our relationship with this environment and the uncontrolled estuary beyond the dikes? What can we learn from this new landscape, and how does it relate to the past of Groningen with mound communities that lived in the salt marshes? (Dutch only)

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Event

Land Art Lives – Conference

3.10.2024: Kunstmuseum M. & Land Art Flevoland, Agora, Lelystad, NL

Why is land art particularly relevant today? What are its new manifestations? How do we deal with these often impermanent works of art? And how does land art shed light on the urgent ecological and social issues of today?

International conference on the future of land art, with Humberto Moro of the Dia Art Foundation (USA), Lisa Le Feuvre of the Holt/Smithson Foundation (USA), Britta Peters of Urbane Künste Ruth (GER) and many others.

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Event

CurieuCity

27–29.09.2024: CurieuCity, Brussels, BE

CurieuCity cultivates curiosity and wonder in everything that surrounds us individually and collectively. It’s a festival that aims to combine the scientific rigor of universities with the experiential impact of art, STEAM education (Science, Technology, Engineering, Arts, and Mathematics), and socio-cultural action.

Each edition of the festival often addresses a question inspired by the reality of the neighborhood where it is located. The next iteration delves into the world of water, biodiversity, and natural sciences in the Wiels Swamp neighborhood.

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Group exhibition

The Atlantic Ocean

26.04–15.09.2024: Henie Onstad Kunstsenter, Oslo, NO

The Atlantic Ocean is a large-scale celebration of the northern sea that has shaped Norway and made the country an international actor, but also critically examines human practices on and in the sea. The exhibition includes around 140 works and objects ranging from original maps from the 16th century to contemporary works. By examining themes such as mapping and extraction, work and leisure at sea, ecology, and gender perspectives, the exhibition conveys the importance of the sea for humans across time and space.

Curators: Susanne Østby Sæther, Stefanie Hessler and Knut Ljøgodt.

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Group exhibition

Collapse is not a Destination

06.07–24.08.2024: Frontview at HAUNT, Berlin, DE

The exhibition conceptualizes our planet in the Anthropocene as an endangered garden with finite resources, in which our activities have a profound impact on our basis of existence. On display are works from the fields of sculpture, photography and installation. Using found materials, they offer a long-term time dimension and point to the dilemma of the capitalist growth paradigm: that the long-term effects of our short-term profitable actions are not adequately taken into account.

With: Julian Charrière, Marjolijn Dijkman, Raphaël Fischer-Dieskau, Andreas Greiner, Robert Gschwantner, Spiros Hadjidjanos, Almut Linde, Ulrike Mohr, Mazenett Quiroga, Marike Schuurman, Raul Walch.

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Group exhibition

Look into my Ice

05.07–18.08.2024: Tartu Art House, Tartu, EE

How can each individual contribute to the well-being of our much needed international community and to our shared planet? Which potential lies in art as the engine of emotional participation and knowledge-making processes? Look into my Ice focuses on the experience of cross-border collectivism to address both the climate crisis and societal cohesion in times of urgently needed unity of minds and hearts.

Participating artists:
Joonas Ahtikallio; Nina Maria Allmoslechner; Ronald Anzenberger; Nara Bak; Sofie Brønner; Pete Christie; Marjolijn Dijkman; Marta Djourina; Lena von Goedeke; Emma Harris; Toril Johannessen; Dongbin Lee; Martin Liira; Aquiles Jarrin & Irving Ramo; Kristel Laurits; Jaanika Peern; Kristina Popov; Sten Saarits; Theresa Schubert; Annika Sellik; Lukas Troberg

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Event

Performance Electrify Everything at The Longest Day

29.06.2024: KAAP & Mu.ZEE, Ostend, BE

From sunrise to sunset, artists will move in and between Mu.ZEE and KAAP in Ostend. Several performances will start, some ongoing.

Some are visible and loud, others barely perceptible.

The actions follow the rhythm of the sun, the tides, and the clock.

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Residency

WaterLANDS Research trip

11–15.06.2024: Greifswald and Berlin, DE

As part of the WaterLANDS project, six Artistic Engagement Residencies have been established where artists are engaging with the project and the local communities at each of the restoration “Action Sites” in Bulgaria, Estonia, Ireland, Italy, the Netherlands and the United Kingdom.

Since the residencies started in 2023, the WaterLANDS artists have been working at their respective Action Sites across Europe. The aim of the three-day trip to Germany was to allow the artists to get to know one another, to share learnings and explore avenues for collaboration as well as possibilities to further integrate art into the wider project.

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Solo exhibition

Exhibition ‘Between the Lines’ & Première ‘Natura Rebellis’

18.05–25.05.2024: V2_ & O. (Festival for Opera. Music. Theatre.), Rotterdam, NL

First public presentation of the new film and robotic sound installation Between the Lines.

Première of the performance Natura Rebellis at O. (Festival for Opera. Music. Theatre.) and V2_ Lab for Unstable Media with new composition of composer Henry Vega.

‘Between the Lines’ (2024)
The film and sound installation ‘Between the Lines’ focuses on the effects of climate change in the forests of the Zone Rouge in the North East of France. It relates to the ongoing struggle to deal with the aftermath and remnants of WWI within the global climate crisis, which impacted this particular landscape on a monumental scale. An essay film and an orchestra of robotic drummers using trunks from the forest in Verdun as instruments will engage with these issues stimulatingly.

‘Natura Rebellis’ (2024)
The performance ‘Natura Rebellis’ builds on the installation ‘Between the Lines’ with artificial drummers who beat the dead tree trunks from the Verdun forest. This forest holds a special place for us as an example of a poisoned forest brought on by human conflicts while witnessing nature’s attempts to reclaim it in its own way. The performance highlights our conflicting nature while revealing our capabilities to live in harmony.

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Group exhibition

-162 °C, 450 kg/m³ Fossile Energy, Fragile Futures

09.03–23.06.2024: Kunsthalle Willemshaven, Willemshaven, DE

For overseas transportation, natural gas must be cooled down to -162°C, liquefied, and compressed to a density of 450kg/m³. The different materials and substances that play a role in energy production stand front and center in the exhibition -162°C, 450kg/m³ – Fossil Energy, Fragile Futures. It explores ongoing dependence on fossil fuels, environmental devastation, and the urgent question of securing a liveable future for everyone.

With: Ana Alenso, Ayọ̀ Akínwándé, Andrew Castrucci, Marjolijn Dijkman, Sonja Hornung & Daniele Tognozzi, Susanne Kriemann, Bram Kuypers, Rachel O’Reilly, Oliver Ressler, Miriam Sentler and others.

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Group exhibition

Power Up. Technical Imaginaries and Social Utopias

15.02–28.04.2024: Kunsthalle Mulhouse, Mulhouse, FR

The exhibition Power Up, Technical Imaginaries, and Social Utopias refers to energy infrastructures from a feminist perspective. This collaborative project explores links between technical worlds, common goods, and connected representations.

With: Carla Adra, Jeanne-Marie et Georges Alexandroff, Jessica Arseneau, Marjolijn Dijkman, Hilary Galbreaith, Maya Mihindou, Jürgen Nefzger, Claude Parent, Christian de Portzamparc, Liv Shulman, Suzanne Treister, Tomi Ungerer.

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Event

Performance ‘Electrify Everything’

08.04.2024: Kunsthalle Mulhouse, FR

This event is part of the exhibition Power Up, Technical Imaginaries, and Social Utopias, which refers to energy infrastructures from a feminist perspective.

‘Why Installing Women and Solar Panels is Not Enough’, lecture by Cara New Daggett.

‘Electrify Everything’ performance by Marjolijn Dijkman and Pom Bouvier-b
Electrify Everything is a critical exploration of the origins of the units and language used to measure electricity. The performance draws on the magic of the first demonstrations of electrical phenomena in the 18th century.

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Event

LUNÄ Talk: Energy (In)Dependency

25.03.2024: Kunsthalle Mulhouse, Mulhouse, FR

On the evening of 25 March, when the moon is full, this LUNÄ Talk will focus on the transition from one energy to another, from one infrastructure to another. How can we envisage transitions without considering the need to bring history to a close before embarking on new projects? The history of energy is written as a race towards the new, towards renewal, without ever questioning the possibility of moving towards solutions of repair or transformation. It’s about turning pages and arguing that the future will be more efficient, appropriate, or cleaner.

Contributors: Fanny Lopez, Clémence André, Marie Lechner, Stéphanie Schmitt, and a written contribution by Cara New Daggett.
Hosted by: Marjolijn Dijkman & Maarten Vanden Eynde

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Group exhibition

Design Sediments

31.01–31.03.2024: Huidenclub, Rotterdam, NL

Design Sediments gathers together fourteen artists and designers who explore the contemporary dimensions of sedimentation and larger-than-human time scales. Through extensive explorations of objects and material as interrelated components of earth’s landscapes, the show positions cycles of extraction, production and destruction in relation to ecological and geological conditions. Through this careful and attentive arrangement of works and bodies of material research, Design Sediments projects on to sedimentary pasts and futures – polychronic realities – through the possibility of a weaving entanglement of temporalities within objects.

With; Emma Charles; Caroline Corbasson; Marjolijn Dijkman; Marlène Huissoud; Agata Ingarden; Studio Klarenbeek & Dros; Agnieszka Kurant; MBL Architects; Ori Orisun; Naïmé Perrette; Marcin Rusak; Basse Stittgen; Studio ThusThat.

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Event

Electrify Everything at Biennale NOVA

16.02.2024: Plurivers & Contingence, Biennale NOVA_XX, Paris, FR

The première of the new iteration of ‘Electrify Everything’ with live sound composition by Pom Bouvier b., live film projection by Marjolijn Dijkman, and a recorded text by Jean Katambayi spoken by François Makanga

The 4th edition of the NOVA_XX Biennale will feature the work of 41 artists. Among the works presented in the anarkhè-exposition, several focus on cosmogonies in the liquid age, on the imaginary of space conquest, measuring instruments and nano worlds, and others on bio-art that allows us to measure the space of the duration of their display of non-human performativities, and still others on issues of geoengineering and artificial intelligence.

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Residency

Between the Lines @ Winter sessions

12.02–16.02.2024: V2_ Lab for Unstable Media, Rotterdam, NL

During the Winter sessions, artist Marjolijn Dijkman and electrotechnician Lukas Pol further developed the robotic experiments for the new film and sound installation Between the Lines and the new performance Natura Rebellis. These two productions are part of Marjolijn Dijkman’s artistic research project Between the Lines, which traces the monumental impact of climate change, industrialization, and the First World War in the polluted and traumatized landscapes of the ‘Zone Rouge’ located in the northeast of France.

The installation and performance, which include new compositions by composer Henry Vega, will open in May 2024 at V2_ as part of Festival O. in Rotterdam.

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Event

Countering Extractivism

07.02.2024: CIVA, Brussels, BE

The evening will be dedicated to what has been described as “green colonialism,” the development of renewable energy futures that often involves the dispossession of communities and the degradation of ecosystems. The event will focus on the consequences of the extraction of lithium, a scarce resource that plays a key role in the so-called green transition necessary for a more sustainable world. With: Marina Otera Verzier and On-Trade-Off.

The evening will be followed by a conversation, moderated by Nikolaus Hirsch and Silvia Franceschini, and Electrify Everything, a performance by Pom Bouvier-b and Marjolijn Dijkman (with a text by Jean Katambayi Mukendi).

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Group exhibition

Shifting Sceneries

26.08.2023–28.01.2024: 1st GIST Triennale, BE

With: Alice Vanderschoot, Anna Burvenich, Anneke Eussen, Atelier Van Lieshout, Bart Lodewijks, Elias Cafmeyer, ‍Fabian Seibert, Francesca Ferreri, Henk Visch, Honoré δ’O, Isabel Fredeus, Jan Detavernier, ‍Kaat Van Doren, Laura Nsengiyumva, Léo Fourdrinier, Lobke Meekes, Lode Laperre, Maarten Vanden Eynde, ‍Marjolijn Dijkman, Maxime Brigou, Nils Verkaeren, Peter Terrin, Renato Nicolodi, Rob Sweere, Strook, ‍Suzette Boursma, Tina Gillen, Ugo Schiavi, Willem Boel.

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Group exhibition

Magic!

09.09.2023–07.01.2024: Art and Museum Centre Sinkka, Kerava, FI

Magic and sleight of hand have always fascinated people. The Magic! exhibition makes visitors question their eyes and wonder if they are witnessing something wondrous, or even magical.

With: Christian Andersson, Gregory Barsamian, Louis De Belle, Marjolijn Dijkman, Tobias Dostal, Juhana Moisander, Juan Muñoz & Gavin Bryars, Nickolas Muray, Kalle Nio, Taneli Rautiainen, Hans Rosenström, Etienne Saglio / Monstre(s), Antoine Terrieux / Blizzard Concept.

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